镜，浮于水上

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2024年，我荣幸摘得Bridges作曲比赛的David Baker奖。获奖作品《水波上的镜面》与另两位杰出作曲家的作品共同在芝加哥拉维尼亚音乐节首演。

正是弦乐四重奏融入爵士乐团的独特编制，催生了这张专辑的创作。弦乐既能倾诉敏感细腻的私语，亦可迸发雷霆万钧之力，在此成为贯穿全辑的灵魂脉络。我将此理念倾注于每首原创与编曲作品中，其中包含两首我尤为喜爱的爵士标准曲，和拉威尔的作品。

首张爵士大乐队专辑《故事里的风景》发行后，我一度陷入大型爵士编制的创作瓶颈。这张专辑正是从沉思中破茧而出的新生——愿您喜欢这份自我表达的崭新形态。

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Jazz with strings is common enough, but far less so are strings supported by jazz musicians. It’s Third Stream swollen to a powerful river

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Jazz with strings is common enough, but far less so are strings supported by jazz musicians. It’s Third Stream swollen to a powerful river

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A deeply personal, beautifully crafted work, one that challenges the boundaries between jazz and classical and invites reflective listening.

from

A deeply personal, beautifully crafted work, one that challenges the boundaries between jazz and classical and invites reflective listening.